The Theatrical Event: Dynamics of Performance and Perception
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Although certainly not on all the topics that, at least I, would like to read about; and certainly they are not appreciated enough; and there certainly could be more. If you're thinking whether to read it or not I imagine if you are not that interested in theatre, unless you are great fans of one of the plays or actors mentioned, you'll probably not be interested. If you do like theatre, I suggest you have a look at the index. It covers such a wide range of topics that it is hard to tell who might find it useful, but if any of the essays catches your eye, don't fear the book being too complex, and none of the essays is too long to cope with.
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About Willmar Sauter. Willmar Sauter. Books by Willmar Sauter. Trivia About The Theatrical Ev No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Get A Copy. Hardcover , pages.
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Interweaving Performance Cultures
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Carrying on with the geeky theatre books, I am now commenting on this book by Willmar Sauter. This man analyzes several types of performance and I say performance because not everything that he analyzes is theatre in the more conventional sense of the word to talk about what makes all of these events theatrical or not.
He focuses a lot in the relationship between the spectator and the actor and how the audience makes theatre theatrical. The book is interesting. It is composed by various essays Carrying on with the geeky theatre books, I am now commenting on this book by Willmar Sauter.
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It is composed by various essays that explore different aspects of the theatrical event, for example, there is an essay that explores different levels of ways of communicating, other that talks about a research study done to several groups of spectators to compare their experiences on various theatre plays, another one that talks about the staging, development and importance of a play called Disa - apparently very important in Sweden. But it also has essays about works of Dario Fo, or about Sarah Bernhardt.
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I mean, as you can see, it covers a wide range of topics and I think one of his aims is to emphasize that all of this is part of the field of theatre studies that is still a bit abandoned and not properly explored or classified correctly - you know, all those people who say theatre is not something serious and deserving of further research even more so in the year , when the book was published.
Michigan: The University of Michigan Press, Sauter, William. Iowa City: University of Iowa Press, Choudhury, Soumyabrata. Shimla: Indian Institute of Advanced Study, London : Continuum,