Black folklore and the politics of racial representation
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Assistant Professor Shirley Moody-Turner. Reduced Price. Tell us if something is incorrect.
Black Folklore and the Politics of Racial Representation
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UI Press | Patrick B. Mullen | The Man Who Adores the Negro: Race and American Folklore
Or get it by Wed, Sep 25 with faster delivery. Pickup not available. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged.
bieverdetecra.cf Shirley Moddy-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants--rather than passive observers--in conversations about the politics of representing black folklore.
Examining literary texts, folklore documents, and cultural performances, legal discourse, and political rhetoric, Black Folklore and the Politics of Racial Representation demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import.
What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? In chapters 4 and 5, Moody-Turner focuses on the efforts of Paul Laurence Dunbar and Charles Chesnutt, two African American literary titans who championed southern black folklore in their works. The author closes out the book by tracing the influence of black folklore on African American literature throughout the twentieth and twenty-first centuries.
Black Folklore and the Politics of Racial Representation is a superb examination of the impact of black folklore on African American literature and identity in the nineteenth century. With its detailed and engaging narrative, the book will be an enjoyable and intellectually stimulating read for those interested in African American folklore, literature, and history as well as the racial politics of folklore studies. This site is best viewed in Google Chrome , Firefox 3 , and Safari 4.
If you are having difficulty viewing the site, please upgrade your browser by clicking the appropriate link. In this volume, Lovalerie King and Shirley Moody-Turner have compiled a collection of essays that offer access to some of the most innovative contemporary black fiction while addressing important issues in current African American literary studies.
The collection is bracketed by a foreword by novelist and graphic artist Mat Johnson, one of the most exciting and innovative contemporary African American writers, and an afterword by Alice Randall, author of the controversial parody The Wind Done Gone. Together, King and Moody-Turner make the case that diversity, innovation, and canon expansion are essential to maintaining the vitality of African American literary studies. The New Negro. Alain Locke.
From the man known as the father of the Harlem Renaissance comes a powerful, provocative, and affecting anthology of writers who shaped the Harlem Renaissance movement and who help us to consider the evolution of the African American in society. DuBois, Locke has constructed a vivid look at the new negro, the changing African American finding his place in the ever shifting sociocultural landscape that was s America.
With poetry, prose, and nonfiction essays, this collection is widely praised for its literary strength as well as its historical coverage of a monumental and fascinating time in the history of America. Russell L.
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- Black Folklore and the Politics of Racial Representation - University Press of Mississippi;
The Children of Children Keep Coming is an awe-inspiring contribution to literature. A breathtaking form of poetic expression, this unique work presents a riveting chronicle of the African American experience in the United States. The dramatic odyssey opens with two anonymous slaves running to catch the Freedom Train, where at journey's end they hope to find liberation.
Along the way, they encounter fields of laborers sowing seeds, plodding hard under sun high and moon low, working to end slavery. The toilers are sustained by work songs that at one moment express the dreams and fears of the downtrodden and at another moment burst forth with unbound faith and optimism. These determined travelers, with dangerous crows circling around them, roam through fields holding their dead; step over graves of the once enslaved; walk across beds of red, white, and blue flowers, all for the opportunity to march on the green lawns of democracy.
Throughout their entangled journey, they meet imaginary and mythological characters.
But it is down by the riverside where their belief that a time of change will come is affirmed by engagements with "giants" such as Frederick Douglass, Billie Holiday, Hank Aaron, Sojourner Truth, and Rosa Parks. The Children of Children Keep Coming is strung seamlessly together—by poetry and prose, blues and gospel, hymns and jazz, work songs and prayers—forcing the universal harmony of the cry for freedom and justice to reach an unforgettable pitch that cannot be ignored.
This astounding mosaic of voices is accentuated by the images of Romare Bearden. The Souls of Black Folk. Du Bois.
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- African American Folkore.
With its singular combination of essays, memoir, and fiction, this book vaulted W. Du Bois to the forefront of American political commentary and civil rights activism. Du Bois makes a forceful case for the access of African Americans to higher education, memorably extols the achievements of black culture above all the spirituals or 'sorrow songs' , and advances the provocative and influential argument that due to the inequalities and pressures of the 'race problem', African American identity is characterized by 'double consciousness'.
This edition includes a valuable appendix of other writing by Du Bois, which sheds light on his attitudes and intentions. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Blues for Mister Charlie: A Play. James Baldwin. In a small Southern town, a white man murders a black man, then throws his body in the weeds. With this act of violence--which is loosely based on the notorious killing of Emmett Till--James Baldwin launches an unsparing and at times agonizing probe of the wounds of race. For where once a white storekeeper could have shot a "boy" like Richard Henry with impunity, times have changed.